Alia Ettienne is a performer, writer and facilitator who was born and raised in Toronto, Ontario. An advocate for mental health, specifically for Black people, her work often deals with themes of mental health and racism in society. She just wrapped up the summer session of her workshop series, Chill N Do Art, a weekly arts wellness space for Black and Indigenous women and is currently raising funds to provide Creative Coping Kits for Black and Indigenous single mothers and their families. You can donate to the fundraiser here.
I am a theatre performer and an all-around creative, that’s how I like to put it. I also do really cool costume stuff, the things I can do with a glue gun, you know?!
When I came to Indie Studio, I was going through a very…interesting mental health time. Last year, I was dealing with a bit of social anxiety and so I wanted something or somewhere to go where I would be consistently be around creatives and that would consistently get me out of the house.
Alia performing at our 2019 Rad Grad celebration
My creative process starts at an odd time of day, before sunrise and after everyone has gone to bed. I’m usually just listening to music, loud in my headphones and a story comes up, an image comes up, a costume idea comes up, then I will start writing with it…sometimes I work with it for a month, sometimes I work with it for two days but I just run with it. But once I start running with it, it starts morphing into more details.
I always like to start with music always cause I’m a mover and I write on my feet so whenever I’ve written a piece, I’ve written that piece after pacing for 15 minutes, thinking about it and how it flows.
Because I like multiple forms of creation, sometimes it’s just whatever form fits that day. So I maybe inspired in a certain way but I’m not always going to write it or dance or draw it.
A piece of art that I’m proud of would be writing my first full-length show, Yellowzoned, which made was part of the Toronto Fringe Festival. It was such an accomplishment, I felt like I was re-introducing myself to the world or something. The piece came out of a really dark time and to finally be able to perform my own work and have my own stage and have control in that way was a proud moment for me.
Alia performing a movement piece at Rad Grad in 2018
Right now, I’m inspired by texture and motion. Texture in terms of costume element because I also create costumes for the pieces that I do. I want to create the full extent of that emotion and have that model sit in it and imagine how do I get there?
If something’s rough, how does it make you feel, if something’s soft how does it make you feel. If the texture of a sheet is very ruffled versus smooth, how does it make you feel? What thoughts does that bring up for you? How can I provoke emotion? I’m thinking of all of those little things.
Motion works as an inspiration because motion shows emotion and so when I’m dancing, sometimes I’ve written the piece and then I have a beat and then I’m going into to motion. If I’m showing, for example anxiety, am I going to be quicker? Am I going to move slower? Am I going to move sharper? It’s all motion for me.
Art has given me more options that wouldn’t have existed if I didn’t do art.
Flyer for Alia’s Chill N Do Art workshop series for Black and Indigenous women
It’s all art. Everything is optional.
SKETCH studios at 180 Shaw Street will remain closed to public access until further notice. We are forced in this time of pandemic to rework and consider our sustainability given public health priorities and resources. We will keep you posted on new designs in September.
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We've launched our Equity at SKETCH Web page to be in dialogue with you about our Equity goals.
Black activists and communities everywhere are working hard to lead all society to call out and authentically address the violent impacts of White Supremacy in policing, justice, education, health, community and in all systems and infrastructures across Turtle Island (North America). Anti-Black racism is deeply embedded in every fabric of our society. This, as well as our violent colonial legacy of Indigenous erasure, constant gender discrimination and violence, and the violence and mistreatment of those in the disability community, are pervasive pressing truths that we need to face and address, daily, to make change in real ways. We need boldness, energy, honesty, deep listening and accountability, to generate sustained action and inversions of power in the immediate, medium and long term.
What can a community-engaged arts organization in Toronto like us do, to take up its role in this critical renaissance of justice? Join us in learning together with us, what this means.
SKETCH is deeply committed to supporting, learning from and amplifying the brave and creative leadership of young Black Artists and Activists. Check out Art in Pandemic and be inspired by the incredible work of young artists creating during this time.
We call on the Arts Councils to create a Black Artists Fund to support Black Artists and Black Arts and Culture Organizations, recognizing and investing in their leadership in arts and culture, and in building fair and inclusive communities.
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Please support us to be a just, accountable and vibrant arts platform for young people on the margins! We need your help now more than ever!