Public Art Projects

Making With Place Public Art Projects

Header Image and Logos created by Xeynamay

 

In MOVEMENTS of CARE and COMMUNITY

Making with Place Public Art Creatives continue the work they started last year and launched in October with four installations as part of ArtworxTO: Toronto’s Year of Public Art. Small curatorial teams have been working with creative leads in community-arts design and engagement processes to animate, amplify and archive creative histories and voices of people and place, on the margins.

This 2022 spring edition of re/mounts, reach/outs and re/constructions, builds on our learnings and puts forward ideas that honour memory, experience, and liminal identities while we re/create the ways we come together. Each project invites authentic connection and presence, full awareness of the forces of grief and injustice to land and peoples, at the same time as relentless belief in radical imagination, love and transformative justice.

Follow these projects in their movements of care and community. @sketchpublicart

April to September

New public art installations and activations

as part of ArtworxTO: Toronto’s Year of Public Art’

Follow @sketchpublicart on Instagram

 

a wandering

Multi-sited AR/VR walking tour at The Bentway.

On view at The Bentway until August 22.

Learn More

 

Lokey Care Booth

Installation remount at Maria Shchuka Library

Learn More

Queer Medicine Movements

Earth art in the 4 directions of the medicine wheel

Learn More

Conversations

Music and more with Ayrah Taerb

Learn More

Land Acknowledgment

We acknowledge that these projects are taking place in T’karonto, Treaty 13, the traditional territory of the Mississaugas of the Credit – the Anishnaabek, the Haudenosaunee and the Wendat peoples and is home to many diverse First Nations, Inuit and Métis peoples. We also acknowledge our more than human collaborators offering medicines and courage to these projects in their makings with place.

STORY

These four projects were designed with communities of young people and partners engaged with SKETCH over 2021 and into 2022. They are informed by the Making with Place (MWP) research project which took place in 2020, in partnership with York University, Faculty of  Environmental and Urban Change, and supported in part by Social Sciences and Humanities Research Council (SSHRC). Artist-researchers of MWP explored the many complexities of place to surface desires and intentions for community and culture.

Our approach, process and production of public art builds on these and intends to give voice to leadership of communities that often go unnoticed.

From our launch in October with the musical philosophizing of Ayrah Taerb performing at The Bentway and speaking boldly about Black artistry and creative genius on the margins; to BIPOC men actively designing pods of radical care to create two installations expressing Care and Loving Accountability, to ensure no one is disposable; to an earth art installation of medicinal plants carefully and thoughtfully designed by Queer, Trans and non-binary 2Spirit artists contemplating what it means to QUEER space; and finally to the urgings to listen anew, to those who live homeless and houseless in Toronto, with their installation and commemoration at The Bentway – each project produced original,  interactive and immersive artistic works done in collaboration with communities.

True to SKETCH processes, this has meant time, space and criticality to learn and unlearn, to become attuned to stories, knowledges and creative forces that are and always have been, at work in our midst from both human and more-than-human beings.

We invite you to join us in taking time to witness, celebrate, honour and process expressions and designs that can reshape our world, through community-engaged public art – radical art to transform lives and communities.

Podcast Series

Listen to all six episodes of the Making with Place Podcast hosted by Jonsaba Jabbi and created by Xeynamay Gezahagn.

Listen Now

Artists and Creatives

 

a picture of a young woman with a closed smile

Lydia Hernandez (she/they)

Wellness Supports Specialist

lydiabotaddress@sketch.ca@sketch.ca

Renaissance

Featured Artist - Reconstructions of Home

Renaissance

Featured Artist - Reconstructions of Home
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The anonymous street artist Renaissance creates art outside of the establishment, turning the streets of Toronto into the artist’s own blank canvas. Their “post-it notes for the people” started popping up around the city in 2020, with messages spray-painted onto boarded up buildings that read “You Are Not Your Mistakes” or “The Sky Is Falling Hold Breath & Wear Mask.” Renaissance considers them whispers to Black residents of Toronto, like a silent nod. The self-taught artist makes gestural paintings reminiscent of Basquiat on any material they can find – salvaged wood, paper, discarded mattresses – and leaves them for people to find and take for free. During the pandemic they endeavoured to turn the city into an accessible, outdoor gallery. 

“I had this idea to turn Toronto into my gallery. I would find a spot that was boarded up and then I would put the words ‘Afro Gallery’ and I’d leave art there. I wasn’t only putting up graffiti-style art in the streets, I was leaving paintings on paper and canvas and also sculptures. I was creating so much art last summer, I probably donated about 50 paintings and the corners became curated, evolving galleries where people could take the art.  

“I turned all of Kensington Market into an Afro gallery. I left paintings and sculptures at every hydro pole in Kensington. There’s one left but people took all the rest of them. People started going there and wondering what was going on, asking ‘did the city pay for this?’ It was like my own personal Nuit Blanche.”

Star Nahwegahbo

Featured Artist - Reconstructions of Home

Star Nahwegahbo

Featured Artist - Reconstructions of Home
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Star Nahwegahbo is Anishinaabe, Scottish and English from Aundeck Omni Kaning First Nation, Ontario, Robinson Huron Treaty, currently living in Tkaronto/Toronto. Star is a mother, interdisciplinary artist, former Social Service Worker of 12 years, grassroots community organizer and expressive arts facilitator. In 2017, due to severe burnout and mental health, Star decided to retire from a twelve-year career in the social work sector and enrolled in OCAD University’s Indigenous Visual Culture Program. This decision was made so she may nurture her artistic gifts and combine her passion for social change and art into a new career crafted and designed to support a healthier lifestyle.

Star’s work explores mental health, the parallels of motherhood and land, the impact of colonial violence on Indigenous families, grief, medicine and the art of braiding ourselves back into our rightful place in creation. One of the main targets of colonial violence on Indigenous people has been the attack on culture/Identity, land and children, her work aims to nurture these relationships and dismantle the colonial system within herself. Star acknowledges that her work is guided and co-created with ancestral and land based intelligence.

Otsíkh:èta - Candy

Featured Artist - Reconstructions of Home

Otsíkh:èta - Candy

Featured Artist - Reconstructions of Home
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New parent and entrepreneur, Otsíkh:èta- Candy, is a interdisciplinary-visual/performing artivist from Tio’tía:ke(“Montreal Region”) who continues their as an artist after having completed their Creative Arts-Literature-Languages program at Marianopolis College (“cégep”), 2 years in the Theatre program at YorkU, and their 3 year Acting Conservatory program at CIT here in Tsí tkaròn:to (“Toronto”).

Performances include, Jill Carter’s Encounters at the Edge of the Woods,  Ange Loft’s Talking Treaties, Cheri Maracle’s The Story of Six Nations, and performances on Indigenous languages, land, cultural restoration through dance, combat-choreography, painting, song-creation, etc; including leadership on varied reconciliation workshops and tours aiming to unite Indigenous Nations utilizing Candy’s mixed backgrounds.

Amelia Merhar

Featured Artist - Reconstructions of Home

Amelia Merhar

Featured Artist - Reconstructions of Home
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Amelia has been a creative person since a child, though the only formal art school she ever attended was two years of art High School at Central Technical School in Toronto. Her first group art show was when she was 15. From graffiti mural projects as an “at-risk teen”, to an award-winning MA research project using arts-based research methods, Amelia is always working on at least a few art projects. Amelia came to the Yukon as a 19-year old in 2004 for a summer, and has been a resident since 2008.

Her favourite part of the creative process is the idea stage and learning a new medium, then using that knowledge to better understand all works in said medium, be it burlesque, collage, radio, textiles, photography, or installation. For her the art concept comes first, then the joy and thrill of learning how to make it. Since 2015 she has been actively creating art with communities through arts-based research methods and other public works such as satirical guided meditations to improve health and wellbeing.

Her work can be described as playful, clever, and subversive. She positions herself as a community-based artist. She has explored themes including feminist response and embodiment (Motorboat), northern life (River Guide and Disco Meditations), the influence music has on our lives (Vinyl Tarot), and spontaneity and creativity (Cardboard Carnival).

The bulk of her work is non-commercial and experiential, through installations, performances, video and sound art, though she also designs vibrant merchandise for her music career. She is dedicated to making art that improves community and wellbeing. TL;DR a thesis in a zine and Getting Ripped 4 the Apocalypse projects are the best examples of that goal.

EDUCATION:

Diplomas in Child Psychology, Train Conducting, and Northern Studies, and a BA degree in Community Development, with a concentration in Community Research and Indigenous Knowledge from University of Alaska Fairbanks, 2014. MA in Human Geography from York University, 2017. Presently a 4th year PhD Candidate at UWaterloo in Human Geography. Her dissertation is called Requiem 4 a Tour: Embodied Pasts and Precarious Futures in the Original Gig Economy, and is grounded in economic and health geography, exploring the embodiment of transience among Canadian touring musicians.

Career-wise, some highlights include being a Health Promotion Worker, a Library Assistant, a freight train conductor for CN, and a Policy Analyst for the Council of Yukon First Nations. She has sat on the boards of two music industry associations in the Yukon as well.

Based in Whitehorse, currently in Toronto for graduate school.

ameliamerhar.ca for her artist site @ameliamerhar on twitter and @lele_slavicc on Instagram.

Parker Dirks (they/them)

Operations Specialist

parkerbotaddress@sketch.ca@sketch.ca

Evan Vincent (any/all)

Audio Arts Coordinator

musicbotaddress@sketch.ca@sketch.ca

Evan Vincent (any/all)

Audio Arts Coordinator
musicbotaddress@sketch.ca@sketch.ca

Evan is a musician, DJ, plant lover and curious soul. You’ll find Evan biking around the city on a hot day, working on their street photography or staying up way too late listening to music. Evan loves to travel and record the sights and sounds from adventures around the world.

Quinatzin

Quinatzin Aguilar Gutierrez (he/she/they)

Culinary Arts Specialist

quinatzinbotaddress@sketch.ca@sketch.ca

Lisa Myers

Curatorial Mentor

Lisa Myers

Curatorial Mentor
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Lisa Myers is an independent curator, artist and educator with a keen interest in interdisciplinary collaboration. Based in Toronto and Port Severn, she is a member of Chimnissing, Beausoleil First Nation and Assistant Professor in the Faculty of Environmental and Urban Change at York University. Myers is an artist and curator and her research focuses on Contemporary Indigenous art and curatorial practice, Indigenous food systems and food sovereignty. Through socially engaged art, she creates gatherings that respond to place, sharing Indigenous foods and reflecting on underrepresented histories and collective forms of knowledge exchange.

 

The Making With Places: Public Art Projects have been designed and developed with curatorial mentorship from Lisa Myers.

Sue Cohen

Creative Lead - Reconstructions of Home

Sue Cohen

Creative Lead - Reconstructions of Home
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Though primarily a painter, often utilizing classical techniques, playing with surrealism and collage with a keen interest in figurative imagery. My arts practise led me to learn to play in a variety of materials, sculpture, papermaking and book binding, and more recently environmental arts.

I have worked as a community artist in Toronto for the past 25 years. Currently at SKETCH working arts for street involved and homeless youth, as a Program Coordinator.  I have a deep passion for experiences that explore human relationships with the environment – focusing on integration of the arts and nourishment through urban gardening, horticulture, wild crafting and culinary arts.

Themes throughout my work focus on creative rejuvenation, exploring communal arts practise and inclusion, and finding joy together in the process. The healing act of arts creation and how that fosters a sense of deep community connection are sacred to me, and where all humanity truly shines.

Naty Tremblay

Creative Lead - Queering Place

Naty Tremblay

Creative Lead - Queering Place
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Naty Tremblay believes deeply in the radical & transformative power of the arts leveraged for community rooted education, organizing, healing and visioning. Naty’s experiences as an identical twin, a poor muskrat french-metis farmer, a rambler, and a gender-queer feminist have greatly shaped their creative social change practices. Naty has co-created a broad body of interactive multi-media stories, performances & workshops, gatherings & community-engaged artworks exploring identity & power, regenerative reciprocity, healing justice & magics of the natural world. Naty has a BA of Integrated Media for Social Change from OCADU.

They co-founded the Xpace artist-run center & The People Project, an organization doing creative activism with LGBTQ youth. Naty has coordinated media, community arts & transformative justice programs at SKETCH Working Arts for 8+ years, building creative leadership capacity with poor young people. Naty is the Executive Director of Rittenhouse: A New Vision, Canada’s oldest abolitionist organization, supporting Transformative Justice capacity building with communities impacted by violence & criminalization.

They are a proud member of the Drawing with Knives shadow puppetry troupe, The Switch Collective – creating political multi-media street performance, and the Trans Healing Arts Collective – visioning spaces that center the healing & creativity of Trans* peoples.

Facebook: Naty Tremblay

DRAWING.WITH.KNIVES

The Switch Project Toronto

The Smiling Room

Rittenhouse

Ty Sloane

Artist-in-Residence - Queering Place

Ty Sloane

Artist-in-Residence - Queering Place
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Tyler J Sloane (They/Them) is a multidisciplinary performance artist. Their art emphasizes marginalized voices that intersect mixed-race and queer identity. They are currently the Performance Arts Artist Associate with SKETCH Working Arts running the Queering Place residency with Naty Tremblay, the In-Conversation Series Buddies In Bad Times Project host with LeZlie Lee Kam at Buddies In Bad Times Theatre Company, and also the Education and Mentorship Director at Elevate Equity.

Instagram: @tylerjsloane

Ayrah Taerb

Project Lead - Indica;Omega

Ayrah Taerb

Project Lead - Indica;Omega
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Photo credit: wowk photography

Ayrah Taerb is a songwriter, recording artist & performer.  His creative influences span the length of multiple generations in both Rap and Hip Hop, with auxiliary influences coming from Reggae, Soul & Electronic music.  As the Creative Lead behind “Indica; Omega”, his album crafting process has informed the genius of many artists in the arena of Film, Live Music, and Sound Engineering.

Xeynamay

Video, Podcast Series, Documentary, Graphic Design

Xeynamay

Video, Podcast Series, Documentary, Graphic Design
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Xeynamay Gezahegn is a content creator with multidisciplinary training in Film, Music, Writing and Performance. Gezahegn is a poet of many mediums hoping to tell the stories of the people she encounters. At 13, Gezahegn moved from Ethiopia to Canada. While she was fluent in English, some experiences couldn’t be fully translated. It was then she began exploring the act of communicating via art. Her content creation focuses on the documentary style. She wishes to continue exploring how to capture true stories in traditionally “fiction” styles like animation, audio storytelling and more.

Jess Devitt (she/they)

Associate Artist - Reconstructions of Home

Jess Devitt (she/they)

Associate Artist - Reconstructions of Home
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Jess is a visual artist, educator and muralist based in Tkaronto. Jess has had experience working with community through the arts offering instructional workshops for a range of mediums and art making techniques both digitally and in person.

Jess is currently the Visual Arts Associate at SKETCH Working Arts and a Visual Arts Educator for the TDSB through KickStart Arts, focused on incorporating collaboration through access to art and community. Their approach to art making focuses on finding new ways to create, teach and learn from the artists and inspirations around them. The techniques Jess teaches range from watercolour, acrylic, oil, image transfer, charcoal, resin, jewellery, bookbinding, soft and oil pastels, knitting and more.

Julian

Julian Diego (any pronouns)

Creative Director, Creative Lead in Public Art (My Public Living Room)

julianbotaddress@sketch.ca@sketch.ca

Phyllis Novak (she/they)

Public Art Projects Curator/ Folio Project Strategist

phyllisbotaddress@sketch.ca@sketch.ca

Phyllis Novak (she/they)

Public Art Projects Curator/ Folio Project Strategist
phyllisbotaddress@sketch.ca@sketch.ca

Phyllis loves being outside as much as possible! Trees, flowers, big skies, water, cycling, walking, sweet winds blowing or even in a bit of rain. Reading, swimming and chilling in the summers with loved ones. Love the children – there are so many of them!

The CHMST

Producer - Indica;Omega

The CHMST

Producer - Indica;Omega
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The CHMST is a beat maker/producer, engineer, bandleader, and curator of sound.  His acute interest in the scalable art of sonic profiling has both necessitated and encouraged his genius approach to sampling, drum programming, and low end sound design.  His involvement in the creation of “Indica; Omega” has been an exciting case study used partially to inform his forthcoming album titled Differently.

Ry King

Sound Artist/Project Advisory - Reconstructions of Home

Ry King

Sound Artist/Project Advisory - Reconstructions of Home
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Ry King is a singer/songwriter, music producer and music educator. He sees music as one of the most powerful forces to promote peace, love and empathy and to heal all humanity. His music is created with these goals at heart.

Originally from Toronto, Ontario, Ry relocated to North Vancouver, BC, where he graduated from SAE Vancouver’s Audio Engineering and Music Production program.

The Noise Witch

Project Lead - Queering Place

The Noise Witch

Project Lead - Queering Place
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The Noise Witch is a multi-disciplinary creative with a focus on music performance and art direction. Their art is inspired by drag, burlesque and experimentation within digital media. They are a practicing Reiki Master, Teacher, Tarot reader, and Astrologer, with a focus on Ancestral healing and reclamation. Their work is centred around decolonization, healing, Trans rights, sexuality and Spirituality, while also aiming to provide joy and inspiration for those experiencing their offerings.

Jermaine Henry

Moderator - Indica;Omega

Jermaine Henry

Moderator - Indica;Omega
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Jermaine Henry is a published author, inspirational speaker, emcee, master facilitator and social entrepreneur who has worked in the philanthropic, mental health, youth-serving, arts, culture and social innovation sectors for over 10 years.

His work has been published in the North American Journal of Psychology and he has been featured in the Toronto Metro Newspaper for his work with Brave Spaces.

He has worked with many organizations and foundations across Canada, such as School For Social Entrepreneurs, Toronto Arts Council, CMHA,The New Mentality, Inspirit Foundation, Laidlaw, Ontario Trillium Foundation – Youth Opportunities Fund, Youth Social Infrastructure Collaborative, Centre for Social Innovation, YouthREX, Algoma University, York University and more.

Jermaine’s passion is in inspiring people to express their stories through his journey of struggle and success, while promoting freedom, love and equity. He’s a co-founder of the Young Leaders Circle, Consultant with The Outside. and Creator of IBLV DREAMERS.

Matt Somber

Performer - Indica;Omega

Matt Somber

Performer - Indica;Omega
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Matt Somber is a lyricist, emerging photographer and performer. He recently released his debut single Sky fall in anticipation of his upcoming album. He hopes to continue exploring performance and direction while cementing his status as a Toronto legend!

Olympia Trypis

Curatorial Artist/Project Advisory - Reconstructions of Home

Olympia Trypis

Curatorial Artist/Project Advisory - Reconstructions of Home
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Olympia (they/she) is an artist who doesn’t like labels, identifies as a human who is trying to live and create in harmony with earth, which is our home.

Maddie Lycheck

Artist-in-Residence - Queering Place

Maddie Lycheck

Artist-in-Residence - Queering Place
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Madeleine Lychek is a Filipino-Canadian queer performance and video artist. She uses social media as a digital playground to engage with conversations surrounding power and play, exploring how a body and it’s consumption can be used as a radical act of self-discovery.

Jahmal Nugent (he/him)

Media Arts Specialist

mediaartsbotaddress@sketch.ca@sketch.ca

Shenn Goddess

Creative Consultant - Indica; Omega

Shenn Goddess

Creative Consultant - Indica; Omega
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Shenn Goddess is a multidisciplinary artist, with a background in singing, songwriting, theatre and dance. She has been writing music since her childhood and has performed original music throughout the City of Toronto at venues such as Night Owl. In 2016, she studied theatre under d’bi young at the Watah theatre where she wrote and performed her first monodrama. In 2018, she studied at Steps Dance Studio under the supervision of salsa-trained instructor Jena Alma, through the Pretty Wings intensive.

While she continues to create music and deepen her craft, she is currently studying with Body Intelligence to become a craniosacral therapist and Yoga Blue Fitness in order to evolve her embodiment practice to create art from a more integrative perspective.

Lisa Petrunia

Curatorial Artist/Project Advisory - Reconstructions of Home

Lisa Petrunia

Curatorial Artist/Project Advisory - Reconstructions of Home
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My art often has themes; overlapping different realities or creating completely alternate ones. I use my work to tell stories. I tend to work in sculpture, collage/ assemblage, photography and video.

When designing I think in terms of 3-dimensional space; I enjoy considering how and when to transfer things to print, photo, and bring the 3D world into the 2D.

I enjoy creating worlds that showcase mystical and otherworldly dimensions. Offering holistic visions for all beings and dialogue toward social change.

I work doing harm reduction and advocacy. My art is an extension of that. My art is where I can communicate steps towards further inclusion. When words fall short, art captures emotion and offers healing. Particularly for those who have experiences of marginalization.

Bert Whitecrow

Artist-in-Residence - Queering Place

Bert Whitecrow

Artist-in-Residence - Queering Place
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Bert Whitecrow is a 2 Spirited, Anishinaabe multidisciplinary artist from Seine River First Nation. Their work explores themes of healing, preserving and practicing ancestral knowledge. As a conceptual artist, Bert works with a variety of media, often combining traditional and unconventional materials.

They are a member of MilkWeed collective, which is a mixed Indigenous collective that focuses on building relationships with Indigenous communities through art making workshops, facilitated conversation and permaculture. Bert is currently attending the Indigenous Visual Cultures program at OCAD University and plans to graduate with a Bachelor of Fine Arts degree in April 2022.

Em Dial

Artist-in-Residence - Queering Place

Em Dial

Artist-in-Residence - Queering Place
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Em Dial (she/they) is a queer, non-binary, multiracial, chronically ill grower, poet, and educator, who was born and raised on Ohlone lands, in what is currently known as the San Francisco Bay Area in California. Their work plays against the idea of the (un)natural, with words and seeds rooted in histories of resistance and nourished by communities of care.

In addition to working with organizations like CommunityGrows and Black Creek Community Farm to increase access to growing space and food sovereignty, Em is also a 2022 Kundiman Fellow and a recipient of the 2020 PEN Canada New Voices Award and the 2019 Mary C. Mohr Poetry Award.

Emmet Reed

Curatorial Artist/Project Advisory - Reconstructions of Home

Emmet Reed

Curatorial Artist/Project Advisory - Reconstructions of Home
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My name is Emmet Reed, I am a Queer, Non-binary community artist and performer in Toronto.  I have been creating works for the past 25 years. I was an inaugural member of SKETCH, the Toronto Art studio for street youth which has been vital in bridging marginalized and vulnerable communities back to the arts.

My theatre works include A social justice theatre troupe here in Toronto where we performed and educated people around Violence against women, Homelessness and  LGBTQQTI issues. I have also worked to create soundscapes for theatre works including Africville which played at the Factory Theatre.

I have been a performance artist and Drag King within the community since the late 90’s representing Toronto at IDKE4 and performing in collaboration with the Toronto Drag Kings  and have performed at Harbourfront, Vazeleen, Buddies in Bad Times and numerous PRIDE stages Including our own KINGSIZE stage.

KINGSIZE went on to create  legacy works  within the Toronto Archives which centered around pushing the boundaries of body image, beauty standards and gender with innovative performances and film.

I have worked with other community artists to create multimedia installations. “Deconstructed” was an exploration of gender shown at Buddies in Bad Times Theatre. This installation included pre-filmed body parts and visceral imagery which could be configured by the participant to explore identity and authenticity.

I am currently Working on pieces that push the boundaries of what is community, communication and self-identification within virtual spaces as well as documenting the impact of the pandemic through the lens of marginalization with a focus on homelessness and the barriers it presents to intimacy and connect.

See my current work on Instagram: @brawnandbone

Zephyr McKenna

Artist-in-Residence - Queering Place

Zephyr McKenna

Artist-in-Residence - Queering Place
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I’m an urban Anishinaabe and Lunaape Two-Spirit person with relatives from Alderville and Munsee Delaware First Nations, as well as Irish, Scottish, and English ancestry. Illustration and animation are the mediums I feel most at home with, but I’m very much a multidisciplinary artist, and love finding connections between varying and unconventional mediums.

I’m currently studying 3D modelling and animation in George Brown College’s Game Art program, building skills to create games and other digital media that focus on language revitalization, celebrating two spirit stories, and imagining Indigenous futures.

Pogi the Artist

Artist-in-Residence - Queering Place

Pogi the Artist

Artist-in-Residence - Queering Place
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At heart, I am an abstract and conceptual artist, with a style influenced by graffiti and realism. I like to bend the rules, but not break them, with my work exploring spaces between traditional and non-traditional styles and perspectives. On the surface, my quick work consists of images of coffee, vices, brick walls, and tunnels abstractly morphed together with nature and concrete structures. In depth, often through journaling and sketching, my work explores ambiguity, space, and “finding home.”

Poetry and music also help me express these depths in nuanced ways. If I had more space, I would further explore these concepts through relevant large scale paintings, sculptures, and installations. Currently, I’m exploring my style of painting more deeply, researching and experimenting with more ways to develop my creations through materials, mediums and concepts.

Press

Thanks to Supports and Partners:

Toronto Arts Council
Canada
Canada Council For The Arts
Toronto Arts Council
Canada
Canada Council For The Arts